{"id":14,"date":"2022-05-01T16:38:06","date_gmt":"2022-05-01T16:38:06","guid":{"rendered":"http:\/\/www.annawatzinger.com\/?page_id=14"},"modified":"2025-10-18T22:20:44","modified_gmt":"2025-10-18T22:20:44","slug":"anna-watzinger","status":"publish","type":"page","link":"https:\/\/annawatzinger.com\/","title":{"rendered":"Anna Watzinger"},"content":{"rendered":"

A N N A\u00a0\u00a0 W A T Z I N G E R <\/span><\/h1>\n

born in Graz (1981), raised in Upper Austria and based, besides travelling, in Vienna (A), graduated from the Vienna Art School with a diploma in art, <\/span><\/p>\n

focusing on sculpture and spatial practice and completed a Master\u2019s degree in Media Art (Digital Art) at the University of Applied Arts Vienna. <\/span><\/p>\n

She works across a wide range of topics, media and often in collaboration, with an artistic focus on the fluid (poetic and political) in-between space and the encounter <\/span><\/p>\n

of diverse (non-human) phenomena. Anna Watzinger has presented her work in numerous exhibition spaces and places in Vienna and as well as internationally, <\/span><\/p>\n

including artist-in-residency programs abroad. <\/span><\/p>\n

She has been an active member of various art collectives and is currently a board member of Mz*Baltazar\u2019s Laboratory. <\/span><\/p>\n

In this role, she regularly organizes and curates exhibitions and workshops and teaches at the University of Applied Arts Vienna with a focus on data protection and AI.<\/span><\/p>\n

CONTACT: an7na@posteo.de<\/span><\/p>\n

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EDUCATION<\/span><\/p>\n

2012-2017:<\/strong> University of Applied Arts Vienna<\/span><\/p>\n

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<\/span><\/span><\/p>\n

2004-2008:<\/strong> Vienna Art School <\/span><\/p>\n

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2002-2004:<\/strong> Multimedia based Art Therapy School (ISSA), Vienna<\/span><\/p>\n

2001-2002 <\/strong>(<\/span>Australia):<\/strong> Voluntary social year, traveling
<\/span><\/span><\/p>\n

1987-2000:<\/strong> Rudolf Steiner (Waldorf-) School, Linz (A)<\/span><\/p>\n

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COLLECTIVE WORK\/COLLABORATIONS<\/span><\/p>\n

since 2023:<\/strong> Co-founder with Olivia Jaques of the collective a\/o<\/em><\/span><\/p>\n

since 2022:<\/strong> Head Member of Mz Baltazar\u2019s Laboratory<\/em><\/span><\/p>\n

since 2019:<\/strong> Co-founder with Laurus Edelbacher of Rainbow Team<\/em><\/span><\/p>\n

2018-2020<\/strong>: Member of Kollektiv Outsight<\/em>
<\/span><\/p>\n

2017-2019:<\/strong> Member of RIGRIVIS<\/em> by AA collection
<\/span><\/p>\n

2010-2013:<\/strong> Member of the artists collective & gallery Schleifm\u00fchlgasse 12-14<\/em>, Vienna
<\/span><\/p>\n

since 2011:<\/strong>\u00a0 Co-founder of the collective TranZ<\/em> – performative gestures in urban context<\/span><\/p>\n

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WORK<\/span><\/p>\n

2025:<\/strong> Lecture „ihuman“ in the frame of Mz Baltazar\u2019s Laboratory<\/em> hold course „Technologies\/Practices | Digital Communication and Media Worlds\u201d at the KKP-department of the University of Applied Arts Vienna<\/span><\/span><\/p>\n

2024:<\/strong><\/span> Lecture „reboot your\/the system- create your (own) algoRHYTHManual!“ with Olivia Jaques in the frame of Mz Baltazar\u2019s Laboratory<\/em> hold course „Technologies\/Practices | Digital Communication and Media Worlds\u201d at the KKP-department of the University of Applied Arts Vienna
<\/span><\/p>\n

since 2006:<\/strong> Working in the social & caring field<\/span><\/p>\n

2011-2013:<\/strong> Voluntary work at Radio Orange and Okto TV<\/span><\/p>\n

2004-2008:<\/strong> Commercial photography: events, nude photography<\/span><\/p>\n

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S O L O SHOWS & COLLABORATIVE\/CURATED PROJECTS & MORE<\/span><\/p>\n

2025<\/span><\/p>\n

Insomnia 2.0_ DINGE DENKEN DATEN D\u00c4MONEN <\/em><\/strong>sensory configuration<\/em>, Medienwerkstatt Wien<\/strong>, Vienna<\/span><\/p>\n

2024<\/span><\/p>\n

Zwischen Virtualit\u00e4t und K\u00f6rperlic<\/em><\/strong>hkeit <\/em><\/strong><\/span><\/a>immersive installation\/video essay collection,<\/em> solo shwo, Mz Baltazar\u2019s Laboratory<\/strong>, Vienna<\/span><\/p>\n

smart rainbow 7.0 (system) <\/strong><\/a><\/span><\/span>multimedia: <\/em>livestream sculpture\/installation\/website\/performative (AR) extension\/app:reaLive climate change data\/rainbow fashion workshop<\/em> by Rainbow Team „at urgent times of climate change“ Fabrikraum <\/strong>Vienna<\/span><\/p>\n

2023<\/span><\/p>\n

SOS 2.0_Die F\u00fcrsorge ist die Schwester der Autonomie <\/em><\/strong>solo show of Mz Baltazar\u2019s Laboratory<\/em>, Medienwerkstatt<\/strong>, Vienna<\/span><\/p>\n

THE MALUS DOMESTICA ARCHIVE (TMDA) <\/em><\/strong>transmedial, <\/em>Mz Baltazar\u2019s Laboratory<\/strong>, Vienna<\/del><\/span><\/p>\n

Riot im Riot. On reclaiming Space <\/em><\/strong>organized\/curated\/part of with Olivia Jaques, Mz Baltazar\u2019s Laboratory<\/strong>, Vienna<\/span><\/p>\n

2022<\/span><\/p>\n

Von sprechenden Kaffeetassen, blinden Spiegeln, gespannten Bechertelefonen und anderen (neongoldenen) Geheimnissen <\/em><\/strong>performance <\/em>with Olivia Jaques, <\/span>in the frame of SOS by Mz Baltazar\u2019s Laboratory<\/strong>, kunstraum pro arte, Hallein (A)<\/span><\/span><\/p>\n

Salon of Open Secrets (SOS) <\/em><\/strong>solo show of Mz Baltazar\u2019s Laboratory<\/em>, kunstraum pro arte, Hallein (A)<\/span><\/p>\n

I-BED MONITORING<\/em><\/strong> video of the month, <\/em>das weisse haus<\/strong>, Vienna<\/span><\/p>\n

2021<\/span><\/p>\n

Lucy<\/strong><\/em> hybrid performance <\/em><\/span>with Julia Tazreiter,<\/span> PROYECTOR Festival, Madrid<\/strong><\/span><\/span><\/span><\/p>\n

INSOMNIA 2.0_Dinge Denken Daten D\u00e4monen<\/strong><\/em><\/span><\/span> sensory installation, <\/em><\/span><\/span>Mz Baltazar\u2019s Laboratory<\/strong>, Vienna<\/span><\/span><\/span><\/p>\n

2019<\/span><\/p>\n

living image_deleted<\/strong><\/em><\/span> video<\/em><\/span>, selection <\/span>Best <\/span>Austrian <\/span>Animation <\/span>by <\/span>ASIFA<\/span>ustria<\/span>, <\/span>film screening „experimental film“, <\/span>Filmcasino<\/strong>,<\/span> Vienna<\/span><\/span><\/p>\n

living image_deleted<\/em><\/span> <\/strong>video<\/em><\/span>, selection Austrian competition by VIS\/Vienna Shorts, film screening „magic hour“, Stadtkino\/K\u00fcnstlerhaus<\/strong>, Vienna<\/span><\/span><\/p>\n

2017<\/span><\/p>\n

Ongoing artistic research project<\/strong><\/em> in collaboration with Deniz Guvensoy<\/strong> (theorist, curator) about the space between Nothing and Something<\/em> on the example of „The Word became Flesh“<\/span><\/p>\n

2016<\/span><\/pre>\n
FLAT WHITE OPEN at Hannovermarkt<\/strong><\/em><\/span> with Carmen Fetz<\/span> performative intervention: working & living-minimal housing- in public space<\/em><\/span>, Q202<\/strong>, Vienna<\/span><\/span><\/p>\n
2015<\/span><\/p>\n
Awardee o<\/strong><\/span>f <\/strong>20 second for art<\/strong><\/em> by K\u00d6R and INFOSCREEN<\/strong> 20 second video documentation of a temporar<\/em>y <\/em><\/span>sculpture <\/span><\/em>in<\/em> public space (Wallensteinplatz, Vienna 2012), two-weeks screening in public transports\/WIENER LINIEN, <\/em>Vienna \u00a0<\/span><\/span><\/p>\n
2014<\/span><\/p>\n
through my eyes\/windows <\/strong><\/em><\/span>visual intervention in semi public space<\/em><\/span>, KUD Mre\u017ea<\/strong> at Cultural Centre Metelkova, Ljubljana<\/strong> (SI)
<\/span><\/span><\/p>\n
THE MALUS DOMESTICA ARCHIVE<\/strong><\/em><\/span> presentation of the work in progress<\/em><\/span>, The <\/span>Sre\u010di\u0161\u010de Gallery, <\/span>Ljubljana<\/strong> (SI)<\/span><\/span><\/p>\n
2013<\/span><\/p>\n
Artist in Residency<\/strong><\/em><\/span> at cultural center Metelkova<\/strong>, Ljubljana (SI)<\/span><\/span><\/p>\n
Inbetween IV <\/strong><\/em><\/span>performance-weekend, <\/em><\/span>organized\/part of,<\/span> Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
2012<\/span><\/p>\n
Expanding Drava<\/strong><\/em><\/span> (interactive) performance in public space<\/em><\/span>, European Capital of Culture<\/strong>, Maribor (SI)<\/span><\/span><\/p>\n
exhiperform <\/strong><\/em><\/span>with Vasja Nagy <\/span>performance\/installation<\/em><\/span>,<\/span> Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
2011<\/span><\/p>\n
071019812142 <\/strong><\/em><\/span>performance\/installation\/objects\/photography\/video<\/em><\/span>, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
2010<\/span><\/p>\n
01 – diploma presentation<\/strong><\/em><\/span> temporary installation\/sculpture in public space (<\/em><\/span>Karlsplatz) & <\/span>screening <\/em><\/span>at<\/span> show room Kunsthalle Karlsplatz<\/strong>, Vienna<\/span><\/span><\/p>\n
2009<\/span><\/p>\n
Nichts tun \u2013 Zen Arbeit in Ottakring<\/strong><\/em><\/span> installation\/participative event\/in collaboration with Zen Zentrum Mishoan Wien<\/em><\/span>, curated\/part of, Soho in Ottakring<\/strong>, Vienna<\/span><\/span><\/p>\n
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2005 <\/span>K\u00f6rperlandschaften <\/strong><\/em><\/span>nude photography<\/em><\/span>, Raimundhof, Vienna<\/strong><\/span><\/span><\/p>\n
1999 <\/span>Licht <\/strong><\/em><\/span>photography<\/em><\/span>, Linz (A)<\/span><\/span><\/p>\n
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G R O U P\u00a0 SHOWS & PROJECTS\/PRESENTATIONS<\/span><\/p>\n
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2 0 2 4<\/span><\/p>\n
„maybe it could be an angel?“<\/em><\/strong> localGPS-AR-(hybrid)3D-model, <\/em>„Ludic Territories“, organized\/curated by LOT\/\u00c7a\u011fda\u015f \u00c7e\u00e7en, LOT\/Ankerbrotfabrik\/, Vienna<\/span><\/p>\n
Datenkopf<\/em><\/strong> performance in public space <\/em>with Olivia Jaques (a\/o), „In der Kubatur des Kabinetts – Pirate Cultures & Plunder Sonics: MAYDAY! organized\/curated by Sandkasten Syndikat\/Magdalena Scheicher, Flucc\/Praterstern<\/strong>, Vienna\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n
DATA DRUM\/DATENTROMMEL<\/em><\/strong> interactive\/performative sculpture and artistic research project <\/em>with Olivia Jaques (a\/o), „PIRATE CULTURES: Unter dem Asphalt der Strand“ organized\/curated by Sandkasten Syndikat\/Magdalena Scheicher, Semmelweisklinik<\/strong>, Vienna<\/span><\/p>\n
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2 0 2 3<\/span><\/p>\n
liquidDIYidentities interactive rainbow color painting<\/em><\/strong>, Rainbow Team, „<\/strong>ENDOX\u018e Fragmentierte Identit\u00e4t“, organized by GAL\/University of Applied Arts Vienna, Bulgarian culture institute, Haus Wittgenstein<\/strong>, Vienna\u00a0<\/span><\/p>\n
DATA DRUM\/DATENTROMMEL<\/em><\/strong> interactive\/performative sculpture and artistic research project <\/em>with Olivia Jaques (a\/o), „Riot im Riot – On Re-claiming Space“, Mz Baltazar\u2019s Laboratory<\/strong>, Vienna<\/span><\/p>\n
BLAUPAUSE_Wiener Waschweib 3.0 – replay <\/em><\/strong>of BLAUPAUSE_Wiener Waschweib 2.0, Donaukanal 2015- <\/em>(washing-)performance in public space <\/em>„Riot im Riot – On Re-claiming Space“, Donau\/Brigittabr\u00fccke<\/strong> Vienna<\/span><\/p>\n
INSOMNIA 2.0_Dinge Denken Daten D\u00e4monen<\/em><\/strong> sensory installation, <\/em>\u201dSleepy Politics\u201d, curated by Francesca Faudretsch & Lotti Brockmann, Exibit gallery\/Academy of Fine Arts<\/strong> Vienna<\/span><\/p>\n
\u00a0<\/strong><\/span><\/p>\n
2 0 2 2<\/span><\/p>\n
I-BED MONITORING<\/strong> video<\/em> „re.pairing.future“, Digital Art Department\/University of Applied Arts Vienna, Aveiro<\/strong> (PRT)<\/span><\/p>\n
ohne Titel <\/em><\/strong>sculpture „<\/em>Crisis Gaia“ curated by Manolo Cocho and Vasja Nagy, Magazzino 26, Trieste<\/strong> (I)<\/span><\/p>\n
www.smartrainbow7punkt0.systems<\/em><\/strong> website <\/em>with Laurus Edelbacher (Rainbow Team), European Digital Art Fair (EDAF)<\/strong>, UKR<\/span><\/p>\n
maybe it could be an angel?<\/em><\/strong> 3D model\/GPS-AR<\/em>, HGM \u2013 intervention, curated by ARTIFICIAL MUSEUM<\/strong> & Elena Messner, HGM 1030 Vienna<\/span><\/p>\n
smart rainbow 7.0 <\/em><\/strong>live stream performance & upload of the liquid content out of the freezer box<\/em> with Laurus Edelbacher,\u201c \u039a\u03b1\u03b9\u03c1\u03cc\u03c2 \u2013 recall of earth II\u201c, <\/span>curated by Sophia Panteliadou,\u00a0 performances Sounds of the Living & The <\/span>Matter is Melting, Angewandte Innovation Lab (AIL)<\/strong>, Vienna<\/span><\/span><\/p>\n
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2 0 2 1<\/span><\/p>\n
smart rainbow 7.0 live <\/strong><\/em>live <\/em>stream video sculpture<\/em> with Laurus Edelbacher “ \u039a\u03b1\u03b9\u03c1\u03cc\u03c2 \u2013 recall of earth II“, curated by Sophia Panteliadou, Angewandten Innovation Lab (AIL<\/strong>), Vienna<\/span><\/p>\n
living image_deleted<\/strong><\/em> video <\/em>& ohne Titel <\/strong><\/em>sculpture<\/em>,<\/strong><\/em> C3 Complexity Science Center,<\/strong> UNAM, Mexico City<\/strong> (MX)<\/span><\/p>\n
living image_deleted<\/strong><\/em><\/span> video installation<\/em><\/span>, <\/em><\/span><\/span>PROYECTOR Festival<\/strong>, Exhibition Hall El Aguila, Madrid <\/strong><\/span><\/span>(E)<\/span><\/span><\/span><\/p>\n
living image_deleted<\/strong><\/em><\/span><\/span> video<\/em><\/span><\/span> „<\/span><\/span>Social Lubricant & Water Politics“, curated by XX Art Flanerie<\/strong> \u201emay you live in liquid times\u201c, Hollerei gallery, Vienna<\/span><\/span><\/span><\/p>\n
DEEP SCREEN_ von Prinzessinnen, Perlzwiebeln und Panik<\/strong><\/em><\/span><\/span> with Ruth Zimmermann,<\/span><\/span> Mz Baltazar\u2019s Laboratory, Vienna<\/span><\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 2 0<\/span><\/p>\n
Kronprinzessin Rudolfina 2<\/strong><\/em><\/span>\/1220 (TMDA) <\/strong><\/em><\/span>performative intervention<\/em><\/span>, act VI notgalerie<\/strong>\/Reinhold Zisser, Seestadt Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 9<\/span><\/p>\n
smart rainbow 7.0 <\/strong>live stream video sculpture <\/em>with Laurus Edelbacher, “ \u039a\u03b1\u03b9\u03c1\u03cc\u03c2 – recall of earth“, curated by Sophia Panteliadou & Rainer Kaltenberger, MIET Thessaloniki<\/strong> (GR)<\/span><\/p>\n
Bodyscreen\/Deep Interfaces<\/strong> mini sculpture collection<\/em> „die weisse-ab-haus-verkaufs-kunstschau #6“ – online presentation, das weisse haus<\/strong>, Vienna
<\/span><\/p>\n
smart rainbow 7.0 <\/strong>live stream video sculpture<\/em> with Laurus Edelbacher,“ \u039a\u03b1\u03b9\u03c1\u03cc\u03c2 – recall of earth“, Digital Arts\/University of Applied Arts Vienna, Biennale Sessions\/Arsenale<\/strong>, Venice (I)<\/span><\/p>\n
living image_deleted<\/strong> video<\/em>, „<\/em>Propeller film screening“, Fotogalerie Wien, WUK<\/strong>, Vienna<\/span><\/p>\n
living image_deleted<\/strong> video<\/em>, „The Essence<\/strong> – Angewandte Festival“, University of Applied Arts Vienna<\/span><\/p>\n
Frau Pomona LaMela\/Kronprinzession Rudolfina <\/strong>performative intervention<\/em>, participation in the performance „Justizpalast der Volksherrschaft im Garten“ by Club Real, studio brut<\/strong>, Vienna<\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 8<\/span><\/p>\n
Frau Pomona LaMela\/Kronprinzessin Rudolfina <\/strong><\/em>apple speech concept\/application for planting an apple tree,<\/em> performative participation in the project „<\/em>Jenseits der Natur_ Volksherrschaft im Garten“ by Club Real<\/strong>, greenhouse Floridsdorf, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 7<\/span><\/p>\n
Apfelfleisch <\/strong><\/em><\/span>site-specific intervention, <\/em><\/span>„Vergessene Frauen-Donne Dimenticate“, organized by GAL\/University of Applied Arts Vienna, Bulgarian <\/span>culture institute, Haus Wittgenstein<\/strong>, Vienna<\/span><\/span><\/p>\n
Daily Bang oder die kleine Schwester von Prometheus <\/strong><\/em>sonic-performative intervention,<\/em>„advanced obstacles“, organized by Joseph Knierzinger & Michael Muik, Republic of Kugelmugel<\/strong>, Vienna<\/span><\/p>\n
Furt II_ <\/strong><\/em>installative<\/em> video projection<\/em> & sound installation<\/em><\/span>, „The Essence<\/strong>„, University of Applied Arts Vienna, Alte Post<\/strong>, Vienna<\/span><\/span><\/p>\n
Prometa z\u00fcndelt <\/strong><\/em>performance, „Acts of Touch“, <\/em>performance parcours organized by Marie-Claude Poulin, Digital Arts\/University of Applied Arts Vienna<\/span><\/span><\/p>\n
Daily Bang oder die kleine Schwester von Prometheus <\/strong><\/em>sonic-performative intervention, <\/em>„Fenstersturz“, organized by Nico Kirisits\/Klaus Filip, Lichthof, University of Applied Arts Vienna<\/span><\/span><\/p>\n
NOW!<\/strong><\/em> text\/photo collage, catalog contribution <\/em>„Inszenierte Projekte“, curated by Beatrix Sunkovsky, catalog presentation, Secession<\/strong> Vienna<\/span><\/p>\n
alma spricht <\/strong><\/em>video, „<\/em>RIGRIVIS launch in space“, by Aa collections<\/strong>, Vienna<\/span><\/p>\n
Furt II <\/strong><\/em>installative<\/em> video projection<\/em>,“bitoresc“, <\/span>Digital Arts\/University of Applied Arts Vienna, Ausstellungszentrum Heiligenkreuzerhof<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 6<\/span><\/p>\n
Furt <\/strong><\/em>installative<\/em> video projection <\/em>with Laurus Edelbacher, <\/em>7-3+1<\/strong><\/em> installation &<\/em> AYTO <\/strong><\/em>video performance <\/em>with Laurus Edelbacher, Dara Radmilovic, Stefan Rakic & Lena Violetta Leitner, „<\/span>TV916-Deconstruction of context„, Academy of Fine Arts, Trebinje<\/strong> (BIH)<\/span><\/span><\/p>\n
Sowohl als auch <\/strong><\/em>performance <\/em>with Cagdas Cecen, „b<\/span>ody-minds & objects“ performance parcours , organized by C.M.Poulin & Martin Kusch, <\/span>Digital Arts\/University of Applied Arts Vienna<\/span><\/span><\/p>\n
W\u00fcrfelperformance; Zuf\u00e4llige Begegnung von…<\/strong><\/em><\/span>video,<\/em><\/span> „<\/span><\/span>Fortune Cookie not my intention<\/span>„, organized by Gerda Lampalzer-Oppermann,<\/span><\/span> mo.\u00eb<\/strong>, <\/span>Vienna<\/span><\/span><\/span><\/p>\n
Alma spricht<\/strong><\/em><\/span> video<\/em><\/span>, „Aporias“, curated by Deniz Guvensoy, Friday Exit<\/strong>, Vienna<\/span><\/span><\/p>\n
Tonmaterial<\/strong><\/em><\/span> video <\/em><\/span>„<\/span>die weisse-ab-haus-verkaufs-kunstschau #5<\/span>„<\/span>, <\/span>das weisse haus<\/strong>, Vienna<\/span><\/span><\/p>\n
Alma spricht<\/strong><\/em><\/span> video<\/em><\/span>, film festival „Running Sushi“, organized by Kollektiv Outsight, KunstRaumGarage<\/strong>, Vienna<\/span><\/span><\/p>\n
ANIMAtion <\/strong><\/em><\/span>work in progress,<\/em><\/span> „Aftershow“, organized by Julia Tarzreiter & Hui Ye, <\/span><\/span>mo.\u00eb<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 5<\/span><\/p>\n
Tonmaterial <\/strong><\/em>video <\/em>& Eine Melodie aufgeh\u00e4ngt zwischen zwei Punkten<\/strong><\/em> installative projection,<\/em> „Transducing the city“, organized by Christina Kubisch\/<\/span>Digital Arts\/University of Applied Arts Vienna, Ausstellungszentrum Heiligenkreuzerhof<\/strong>, Vienna<\/span><\/span><\/p>\n
0.0.100.0.MO<\/strong><\/em>NU<\/em>MENT.100.80.0.0 <\/strong><\/em>site-specific & time-based installation,<\/em> „Festival Europa“, organized <\/span>by aykit, Arena Wien<\/strong>, Vienna<\/span><\/p>\n
Wiener Waschweib 2.0<\/strong><\/em><\/span> (washing-)performance\/(clothes-)projection,<\/em><\/span> „duckdockdonaukanal“, organized by Leo Schatzl, das WERK<\/strong>, Vienna<\/span><\/span><\/p>\n
SEEing<\/strong><\/em><\/span> video<\/em><\/span>, <\/span>LED <\/span>wall <\/span>screening <\/span>at <\/span>Fledermaushaus Seestadt Aspern<\/strong><\/span>, organized <\/span>by Jan Lauth & Peter Koger<\/span>, Vienna<\/span><\/span><\/p>\n
Die Zitrone <\/strong><\/em><\/span>installation<\/em><\/span> &<\/span> das Pendel<\/strong><\/em><\/span> moving video<\/em><\/span>, „OneDay – show“, organized by Ilse Lafer, Generali Foundation<\/strong>, Vienna<\/span><\/span><\/p>\n
Alma spricht<\/strong><\/em><\/span> video<\/em><\/span>, film festival „Running Sushi“, organized by Out Sight, Friday Exit<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 4<\/span><\/p>\n
Die T\u00fcr\/The Door\/<\/strong><\/em><\/span><\/span>\u0414\u0432\u0435\u0440\u044c<\/strong><\/em><\/span><\/span> video-installation with Serge Prokofiev & <\/em><\/span><\/span>T=M+V<\/strong><\/em><\/span><\/span> performative\/installative\/new media with Lena Violetta Leitner,<\/em><\/span><\/span> Yana Kovrigina<\/span><\/span>, <\/em><\/span><\/span>Ksenia Plisova, <\/span><\/span><\/span>„<\/span><\/span>Contemporaries of the near future<\/span><\/span>„,<\/span><\/span> Digital Arts\/University of Applied Arts, Vienna Fair, das weisse ha<\/strong><\/span><\/span>us<\/strong>, Vienna<\/span><\/span><\/span><\/span><\/p>\n
Works of 071019812142 <\/strong><\/em><\/span>photography\/video\/installation<\/em><\/span>,“<\/span>die weisse-ab-haus-verkaufs-kunstschau #3<\/span>„<\/span>, <\/span>das weisse haus<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 3<\/span><\/p>\n
21* <\/strong><\/em><\/span>video, <\/em><\/span>part of the THE MALUS DOMESTICA PROJECT, <\/em><\/span>„digital frictions“, <\/span>Digital Arts\/University of Applied Arts Vienna, das weisse haus<\/strong>, Vienna<\/span><\/span><\/p>\n
8h <\/strong><\/em><\/span>growing sculpture<\/em><\/span> „Vertical“ <\/span>Digital Arts \/University of Applied Arts Vienna, Biennale Sessions\/Arsenale<\/strong>, Venice (I)<\/span><\/span><\/p>\n
7 rooms<\/strong><\/em><\/span> performance, voice Tina Muliar<\/em><\/span>, „Inbetween IV“, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
Lipa 08-31<\/strong><\/em><\/span> performance\/video\/presentation with Katja Oblak<\/em><\/span>,<\/span> Galerija Screcisce Metelkova, Ljubljana<\/strong> (SI)<\/span><\/span><\/p>\n
Moving Sculpture <\/strong><\/em><\/span>moving sculpture\/video<\/em><\/span>, Schleifm\u00fchlgasse 12-14\/ „Parallel<\/strong>“ – Vienna Art Fair, Vienna<\/span><\/span><\/p>\n
be part of the art<\/strong><\/em><\/span> participative installation\/support Vienna Open Lab & <\/em><\/span>Moving Sculpture <\/strong><\/em><\/span>moving installation<\/em><\/span>, „Trial and Error“, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
Pain <\/strong><\/em><\/span>performance<\/em><\/span>, „Inbetween V“, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
Me, Myself & I <\/strong><\/em><\/span>photography <\/em><\/span>&<\/span> no title <\/strong><\/em><\/span>object<\/em><\/span>, „Collateral Orbit“, Schleifm\u00fchlgasse 12-14\/Allegra Nomad gallery<\/strong>, Bucharest (RO)<\/span><\/span><\/p>\n
7 rooms<\/strong><\/em><\/span> part of the<\/em><\/span> performance,<\/em><\/span> opening ceremony of the Kornmarktplatz Bregenz,<\/span> organized by Martin Gruber\/aktionstheater<\/strong>, Digital Arts \/<\/span>University of Applied Arts Vienna<\/span><\/span><\/p>\n
no title <\/strong><\/em><\/span>object<\/em><\/span>, „Cocoon“, Schleifm\u00fchlgasse 12-14\/Baril Gallery<\/strong>, Cluj (RO)<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 2<\/span><\/p>\n
Moving Sculpture<\/strong><\/em><\/span> video<\/em><\/span>, „about flying“, European month of photography, Schleifm\u00fchlgasse 12-14\/brick5<\/strong>, Vienna<\/span><\/span><\/p>\n
Ideas for Drava<\/strong><\/em><\/span> projection<\/em><\/span>, raz:um art space<\/strong>, Maribor (SI)<\/span><\/span><\/p>\n
no title <\/strong><\/em><\/span>object & <\/em><\/span>growing sculpture<\/strong><\/em><\/span> performance<\/em><\/span>, „Celica\/Zelle\/Cell“, Schleifm\u00fchlgasse 12-14\/Galerija Screcisce Metelkova, Ljubljana (SI)<\/span><\/span><\/p>\n
Me, Myself & I <\/strong><\/em><\/span>performance\/installation\/video<\/em><\/span>, „Private View“, organized by Gerda Lampalzer-Oppermann\/ University of Applied Arts Vienna, Schikaneder<\/strong>, Vienna<\/span><\/span><\/p>\n
Zeitk\u00f6rper<\/strong><\/em><\/span> object <\/em><\/span>„Untragbar“, organized by Stefanie Wuschitz\/Digital Arts \/University of Applied Arts Vienna, Micro symposium, MQ<\/strong>, Vienna<\/span><\/span><\/p>\n
Invited artist <\/strong><\/em><\/span>workshop and presentation<\/em><\/span>, Schleifm\u00fchlgasse 12-14\/Ji\u0159i Ko\u010dica\/\u017diga Okorn\/Mojca Puncer\/raz:um, European Capital of Culture, Maribor<\/strong> (SI)<\/span><\/span><\/p>\n
Wally <\/strong><\/em><\/span>performance in public space <\/em><\/span>with Aiko\/Kazuko Kurosaki, Q202<\/strong>, Vienna<\/span><\/span><\/p>\n
HAZATEIA <\/strong><\/em><\/span>photography\/screen<\/em><\/span>, „Constructed Photography“, curated by Vasja Nagy, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 1<\/span><\/p>\n
Pain <\/strong><\/em><\/span>performance<\/em><\/span>,<\/strong><\/em><\/span> Schleifm\u00fchlgasse 12-14\/ThisHumanWorld-Festival<\/strong>, Vienna<\/span><\/span><\/p>\n
The Alma Project <\/strong><\/em><\/span>installation\/photography\/object<\/em><\/span>, „Post\/Art in a Suitcase“ by Vasja Nagy, Alkatraz gallery,<\/strong> Ljubljana (SI)<\/span><\/span><\/p>\n
Kommlabor <\/strong><\/em><\/span>participative performance<\/em><\/span>, „Symposium performative“, Schleifm\u00fchlgasse 12-14<\/strong>, Vienna<\/span><\/span><\/p>\n
No title <\/strong><\/em><\/span>postcard-series: material exchange with Astrid Sodomka<\/em><\/span>, „Help for Japan“, Benefizveranstaltung Pratersauna<\/strong>, Vienna<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 1 0<\/span><\/p>\n
HAZATEIA <\/strong><\/em><\/span>photography\/installation<\/em><\/span>, „Outside of Oblivion“, European month of photography, brick5<\/strong>, Vienna<\/span><\/span><\/p>\n
The Alma Project <\/strong><\/em><\/span>moving object\/artist\u2019s instructions\/narrative documentation<\/em><\/span>, „Art in a Suitcase<\/strong>„, curated by Vasja Nagy, Europe\/Istanbul<\/strong><\/span><\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Exhibitions:<\/strong><\/span> Studio Gallery FKSE, Budapest (HU)<\/span><\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 m.odla Gallery Prague (CZ)<\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Runde Ecke, Dresden (DE)<\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 SintflutStudio, Berlin (DE),<\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Associazione Culturale Mirada, Ravenna (IT)<\/span><\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Pangea S. N. C. , Mola di Bari (IT)<\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Depo, Istanbul (TR)<\/span><\/span><\/p>\n
nothing more than this <\/strong><\/em><\/span>performance<\/em><\/span>, „36 Stunden Kunst“, Schleifm\u00fchlgasse 12-14, Vienna<\/span><\/span><\/p>\n
light drawings <\/strong><\/em><\/span>photography<\/em><\/span>,<\/span> „Innere Sicherheit“, IIASA\/Institute Laxenburg<\/strong>, N\u00f6 (A)<\/span><\/span><\/p>\n
\u00a0<\/p>\n
2 0 0 8\u00a0<\/span> beyond the picture <\/strong><\/em><\/span>photography<\/em><\/span>, land art workshop & exhibition, gallery of Mikulov<\/strong> (CZ)<\/span><\/span><\/p>\n
2 0 0 7<\/span>\u00a0 Dot 7 <\/strong><\/em><\/span>photography\/installation<\/em><\/span>, land art workshop & exhibition, palace of Mikulov<\/strong> (CZ)<\/span><\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0 Zeitk\u00f6rper<\/strong><\/em> object <\/em>& Momo – the golden girl of time <\/strong><\/em>performance, <\/em>one day show, Vienna Art School<\/span><\/p>\n
2 0 0 6<\/span>\u00a0 Participation <\/strong><\/em><\/span>performance by Andrei Bartenev<\/em><\/span>, Donaufestival Krems<\/strong> (A)<\/span><\/span><\/p>\n
\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/span>The fifth element <\/strong><\/em><\/span>permanent installation of a sculpture<\/em><\/span>, wood workshop & exhibition, Bata Foundation<\/strong>, Zlin (CZ)<\/span><\/span><\/p>\n
2 0 0 3\u00a0 <\/span>ACT<\/strong><\/em><\/span> installation<\/em><\/span>, Art Therapy School (ISSA)\/WUK<\/strong> project space, Vienna<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"
A N N A\u00a0\u00a0 W A T Z I N G E R born in Graz (1981), raised in Upper Austria and based, besides travelling, in Vienna (A), graduated from the Vienna Art School with a diploma in art, focusing on sculpture and spatial practice and completed a Master\u2019s degree in Media Art (Digital Art) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-14","page","type-page","status-publish","hentry"],"uagb_featured_image_src":{"full":false,"thumbnail":false,"medium":false,"medium_large":false,"large":false,"1536x1536":false,"2048x2048":false},"uagb_author_info":{"display_name":"Anna Watzinger","author_link":"https:\/\/annawatzinger.com\/?author=1"},"uagb_comment_info":0,"uagb_excerpt":"A N N A\u00a0\u00a0 W A T Z I N G E R born in Graz (1981), raised in Upper Austria and based, besides travelling, in Vienna (A), graduated from the Vienna Art School with a diploma in art, focusing on sculpture and spatial practice and completed a Master\u2019s degree in Media Art (Digital Art)…","_links":{"self":[{"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/pages\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/annawatzinger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14"}],"version-history":[{"count":168,"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions"}],"predecessor-version":[{"id":465,"href":"https:\/\/annawatzinger.com\/index.php?rest_route=\/wp\/v2\/pages\/14\/revisions\/465"}],"wp:attachment":[{"href":"https:\/\/annawatzinger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}